Here now & then
Travel through cities, art history & light
Here now & then
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melimelo85:

cysteodemus wislizeni
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darksilenceinsuburbia:

Bill Cunningham
Facades
1. Gothic bridge in Central Park (designed 1860). c. 1968-1976
2. Editta Sherman on the Train to the Brooklyn Botanic Garden. c. 1972
3. Grand Central Terminal (built c. 1903-1913). c. 1968-1976
4. Federal Hall (built c. 1842, costume c. 1910). c. 1968-1976
5. Bowery Savings Bank (built c. 1920). c. 1968-1976
6. Paris Theater (built 1947). c. 1968-1976
7. General Motors Building. c. 1968-1976
Gelatin silver photographsNew-York Historical Society, Gift of Bill Cunningham
darksilenceinsuburbia:

Bill Cunningham
Facades
1. Gothic bridge in Central Park (designed 1860). c. 1968-1976
2. Editta Sherman on the Train to the Brooklyn Botanic Garden. c. 1972
3. Grand Central Terminal (built c. 1903-1913). c. 1968-1976
4. Federal Hall (built c. 1842, costume c. 1910). c. 1968-1976
5. Bowery Savings Bank (built c. 1920). c. 1968-1976
6. Paris Theater (built 1947). c. 1968-1976
7. General Motors Building. c. 1968-1976
Gelatin silver photographsNew-York Historical Society, Gift of Bill Cunningham
darksilenceinsuburbia:

Bill Cunningham
Facades
1. Gothic bridge in Central Park (designed 1860). c. 1968-1976
2. Editta Sherman on the Train to the Brooklyn Botanic Garden. c. 1972
3. Grand Central Terminal (built c. 1903-1913). c. 1968-1976
4. Federal Hall (built c. 1842, costume c. 1910). c. 1968-1976
5. Bowery Savings Bank (built c. 1920). c. 1968-1976
6. Paris Theater (built 1947). c. 1968-1976
7. General Motors Building. c. 1968-1976
Gelatin silver photographsNew-York Historical Society, Gift of Bill Cunningham
darksilenceinsuburbia:

Bill Cunningham
Facades
1. Gothic bridge in Central Park (designed 1860). c. 1968-1976
2. Editta Sherman on the Train to the Brooklyn Botanic Garden. c. 1972
3. Grand Central Terminal (built c. 1903-1913). c. 1968-1976
4. Federal Hall (built c. 1842, costume c. 1910). c. 1968-1976
5. Bowery Savings Bank (built c. 1920). c. 1968-1976
6. Paris Theater (built 1947). c. 1968-1976
7. General Motors Building. c. 1968-1976
Gelatin silver photographsNew-York Historical Society, Gift of Bill Cunningham
darksilenceinsuburbia:

Bill Cunningham
Facades
1. Gothic bridge in Central Park (designed 1860). c. 1968-1976
2. Editta Sherman on the Train to the Brooklyn Botanic Garden. c. 1972
3. Grand Central Terminal (built c. 1903-1913). c. 1968-1976
4. Federal Hall (built c. 1842, costume c. 1910). c. 1968-1976
5. Bowery Savings Bank (built c. 1920). c. 1968-1976
6. Paris Theater (built 1947). c. 1968-1976
7. General Motors Building. c. 1968-1976
Gelatin silver photographsNew-York Historical Society, Gift of Bill Cunningham
darksilenceinsuburbia:

Bill Cunningham
Facades
1. Gothic bridge in Central Park (designed 1860). c. 1968-1976
2. Editta Sherman on the Train to the Brooklyn Botanic Garden. c. 1972
3. Grand Central Terminal (built c. 1903-1913). c. 1968-1976
4. Federal Hall (built c. 1842, costume c. 1910). c. 1968-1976
5. Bowery Savings Bank (built c. 1920). c. 1968-1976
6. Paris Theater (built 1947). c. 1968-1976
7. General Motors Building. c. 1968-1976
Gelatin silver photographsNew-York Historical Society, Gift of Bill Cunningham
darksilenceinsuburbia:

Bill Cunningham
Facades
1. Gothic bridge in Central Park (designed 1860). c. 1968-1976
2. Editta Sherman on the Train to the Brooklyn Botanic Garden. c. 1972
3. Grand Central Terminal (built c. 1903-1913). c. 1968-1976
4. Federal Hall (built c. 1842, costume c. 1910). c. 1968-1976
5. Bowery Savings Bank (built c. 1920). c. 1968-1976
6. Paris Theater (built 1947). c. 1968-1976
7. General Motors Building. c. 1968-1976
Gelatin silver photographsNew-York Historical Society, Gift of Bill Cunningham
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melimelo85:

Nicola Samori: The impressive Baroque paintings and some partially destroyed Nicola Samori.
Known for the smoldering intensity of his figurative work, and a dedication to preserving antiquated styles and themes in his paintings, Samorì deftly wields his artist’s brush to create moody and atmospheric pieces that weigh heavily both physically and metaphorically. The creation of each of his compositions is marked by ceremony before a systematic deconstruction. Samorì is most successful, however, in creating timeless pieces of art in spite of — or perhaps even because of — the heavy Baroque influence that runs throughout his body of work. They are as relevant today as they would have been in Michelangelo's — an obvious influence in Samorì's work — 16th century Italian Renaissance. The classical beauty imbued in each of his pieces is only surpassed by his technical aptitude. Samorì is, at the heart of it, a master storyteller and the work as enigmatic as the man.
melimelo85:

Nicola Samori: The impressive Baroque paintings and some partially destroyed Nicola Samori.
Known for the smoldering intensity of his figurative work, and a dedication to preserving antiquated styles and themes in his paintings, Samorì deftly wields his artist’s brush to create moody and atmospheric pieces that weigh heavily both physically and metaphorically. The creation of each of his compositions is marked by ceremony before a systematic deconstruction. Samorì is most successful, however, in creating timeless pieces of art in spite of — or perhaps even because of — the heavy Baroque influence that runs throughout his body of work. They are as relevant today as they would have been in Michelangelo's — an obvious influence in Samorì's work — 16th century Italian Renaissance. The classical beauty imbued in each of his pieces is only surpassed by his technical aptitude. Samorì is, at the heart of it, a master storyteller and the work as enigmatic as the man.
melimelo85:

Nicola Samori: The impressive Baroque paintings and some partially destroyed Nicola Samori.
Known for the smoldering intensity of his figurative work, and a dedication to preserving antiquated styles and themes in his paintings, Samorì deftly wields his artist’s brush to create moody and atmospheric pieces that weigh heavily both physically and metaphorically. The creation of each of his compositions is marked by ceremony before a systematic deconstruction. Samorì is most successful, however, in creating timeless pieces of art in spite of — or perhaps even because of — the heavy Baroque influence that runs throughout his body of work. They are as relevant today as they would have been in Michelangelo's — an obvious influence in Samorì's work — 16th century Italian Renaissance. The classical beauty imbued in each of his pieces is only surpassed by his technical aptitude. Samorì is, at the heart of it, a master storyteller and the work as enigmatic as the man.
melimelo85:

Nicola Samori: The impressive Baroque paintings and some partially destroyed Nicola Samori.
Known for the smoldering intensity of his figurative work, and a dedication to preserving antiquated styles and themes in his paintings, Samorì deftly wields his artist’s brush to create moody and atmospheric pieces that weigh heavily both physically and metaphorically. The creation of each of his compositions is marked by ceremony before a systematic deconstruction. Samorì is most successful, however, in creating timeless pieces of art in spite of — or perhaps even because of — the heavy Baroque influence that runs throughout his body of work. They are as relevant today as they would have been in Michelangelo's — an obvious influence in Samorì's work — 16th century Italian Renaissance. The classical beauty imbued in each of his pieces is only surpassed by his technical aptitude. Samorì is, at the heart of it, a master storyteller and the work as enigmatic as the man.
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melimelo85:

by Karina Twiss
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melimelo85:

 
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melimelo85:

by Bridget Wheeler
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melimelo85:

 
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freystupid:

Gustav Klimt im blauen Malerkittel    1913 CE

Egon Schiele pencil and gouache on paper
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robotcosmonaut:

How Would You Like Your Graphic Design?
via clnhrmn
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trendgraphy:

18/26 by Lylet Soliven